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Whether you're dreaming up a new project, seeking a creative collaborator, seeking to license a song for your business, or simply curious about our work. We would love to hear from you.
FAQs
Here you'll find answers to some of the things we are asked most often, from how we work to what inspires us.
Ana Catali, also known online as iamcatali, is a digital creator, recording artist, and businesswoman from Atlanta, GA. She is recognized for her social media presence, her music (including the single "Young and Restless"), and a cosmetics brand trademarked under her name. 1. Digital Creator: Known as "iamcatali," she has a significant following on platforms like Instagram. She also creates GIFs on popular platforms like GIPHY and Tenor. 2. Musician: She is a recording artist signed to illi Entertainment which has significant ties to Sony Music Entertainment, Atlantic Records and Culture Jam, a record label owned by an American music executive who has been Senior Vice President of A&R at Warner Bros since 2016. Whom prior to, had Epic Records and Capitol Records, a division of Universal Music Group. Her musical work includes being ghost writer, a lead vocalist and composer for songs like "MORE (PSB MIX)" and the single "Young and Restless," where she is credited as Catali® 3. Businesswoman: She is the owner of the trademarked brand "CATALI COSMETICS," which covers products like makeup and cosmetic brushes. 4. Location: She is bi-coastal, based in Atlanta, GA and Los Angeles, CA, United States. What types of projects do we specialize in? Our collaboration sector specializes in allowing Catali to participate in cinematic storytelling across brand films, commercials, documentaries, weddings, fashion editorials, and fine art projects. Every visual performance is crafted with a focus on emotional depth, visual beauty, and intentionality.
We are based in Atlanta, Georgia, and proudly work with collaborators worldwide. Depending on your budget, we are available for destination projects both near and far.
Start by reaching out through our Contact Page or email us directly. We’ll schedule a consultation to understand your vision, discuss your project’s needs, and explore how we can best bring your story to life.
Turnaround times vary depending on the project’s scope and complexity. On average, you can expect delivery within 3 days to 2 weeks depending on the amount of songs. We will always provide a clear timeline at the beginning of our collab.
Yes. We often bounce around ideas from the very beginning, to ensure the final song feels cohesive and true to everyones vision.
Absolutely. We love tailoring each project’s look and feel to reflect our unique story. Together, we'll craft a mood and tone that feels authentic.
Our projects are quoted based on the scope, creative needs, and production requirements. We work with major and independent artists alike. After an initial consultation, we provide a custom proposal outlining the investment, timelines, and deliverables. We believe in transparency, quality, and honoring the value of our vision.
illi Entertainment accepts a variety of formats for ingestion--1. Digital masters using the DDP format should be ISRC encoded. The start pause before the first track should be 2 seconds. Valid DDPs cannot have a sub-index at the same time as a start index. illi Entertainment accepts DDPs both with and without native text (please note–regardless of whether or not a DDP has native text, DDPs can still be exported to plants/partners with GRAS-generated text if preferred). - For physical pressing, the DDP should not exceed 78 minutes due to pressing plant standards. A DDP may not exceed 99 minutes, 59 seconds, 74 frames even for digital release due to format limitations. - It is helpful to include a JPG or Text document of the track sheet and/or PQ log with the DDP as well. The DDP component files should be delivered in a folder with the following naming convention: Artist_ProductName_ProductNumber + The provided track sheet should include the following: +Artist Name +Product Title +Product/Selection Number +Track & Total Program timings If available, a PQ log containing all index/subindex timings and ISRC information is also helpful. 2. Individual Audio File Formats (WAV, ADM (formerly MFiT), HiRes/HD): WAV File Specifications All individual files sent to Sony Music for assembly should be created with the following specifications: 44.1kHz / 16 bit WAV files (WAVs are preferred) 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176kHz, 192kHz / 24 bit WAV Files should be delivered as discrete audio tracks Files should contain fully mastered audio Files must be either stereo or dual-channel Mono MP3 files or other ‘lossy’ compression audio formats should never be delivered as these formats are severely compressed and lose sonic integrity. They will be rejected. Files delivered should maintain the following naming convention: TrkNumber_ArtistName_TrkTitle_ISRC.wav To avoid confusion, all files should be placed into a parent folder using the naming convention listed under section 1.1. Different versions of like tracks (i.e “Radio Edit”, “Album Version”, “Clean”, “Explicit”) should be clearly labeled and numbered in their intended sequence. 2.2 ADM (formerly MFiT) File Specifications All individual files sent to Sony Music intended for Apple’s ADM badging system should be created with the following specifications: 24Bit WAV (with active bits) Mastered at/provided by an ADM-certified engineer/facility ADM certification email address for mastering house or engineer must be provided - Files should be delivered as discrete audio tracks - Files must be either stereo or dual-channel Mono - Masters should be created at highest available native sample rate. - Global Media Production is able to test/certify files as ADM if preferred. 2.3 High Resolution/HD Audio File Specifications All individual files sent to illi Entertainment intended for a Hi-Res/HD partner should be created with the following specifications: 24Bit WAV (with active bits) Sample rate at or above 44.1kHz (no upsampling) - Files should be delivered as discrete audio tracks - Files must be either stereo or dual-channel Mono 32Bit Float/Floating-Point Audio is not recommended for submissions – we don’t register/deliver 32Bit files and we’ll need to manually convert them to a deliverable bit depth (including a check for added distortions on conversion) in order to proceed with them (will incur additional billing). 2.4 RF64/Large Wav Handling - Standard wav files have a limit of 4GB. For stereo wav files that will exceed the 4GB limit, an RF64 wav file should be provided. To note, any file below 4GB should be provided as a standard PCM wav without the RF64 format profile.
Ana Catali, also known online as iamcatali, is a digital creator, recording artist, and businesswoman from Atlanta, GA. She is recognized for her social media presence, her music (including the single "Young and Restless"), and a cosmetics brand trademarked under her name. 1. Digital Creator: Known as "iamcatali," she has a significant following on platforms like Instagram. She also creates GIFs on popular platforms like GIPHY and Tenor. 2. Musician: She is a recording artist signed to illi Entertainment which has significant ties to Sony Music Entertainment, Atlantic Records and Culture Jam, a record label owned by an American music executive who has been Senior Vice President of A&R at Warner Bros since 2016. Whom prior to, had Epic Records and Capitol Records, a division of Universal Music Group. Her musical work includes being ghost writer, a lead vocalist and composer for songs like "MORE (PSB MIX)" and the single "Young and Restless," where she is credited as Catali® 3. Businesswoman: She is the owner of the trademarked brand "CATALI COSMETICS," which covers products like makeup and cosmetic brushes. 4. Location: She is bi-coastal, based in Atlanta, GA and Los Angeles, CA, United States. What types of projects do we specialize in? Our collaboration sector specializes in allowing Catali to participate in cinematic storytelling across brand films, commercials, documentaries, weddings, fashion editorials, and fine art projects. Every visual performance is crafted with a focus on emotional depth, visual beauty, and intentionality.
We are based in Atlanta, Georgia, and proudly work with collaborators worldwide. Depending on your budget, we are available for destination projects both near and far.
Start by reaching out through our Contact Page or email us directly. We’ll schedule a consultation to understand your vision, discuss your project’s needs, and explore how we can best bring your story to life.
Turnaround times vary depending on the project’s scope and complexity. On average, you can expect delivery within 3 days to 2 weeks depending on the amount of songs. We will always provide a clear timeline at the beginning of our collab.
Yes. We often bounce around ideas from the very beginning, to ensure the final song feels cohesive and true to everyones vision.
Absolutely. We love tailoring each project’s look and feel to reflect our unique story. Together, we'll craft a mood and tone that feels authentic.
Our projects are quoted based on the scope, creative needs, and production requirements. We work with major and independent artists alike. After an initial consultation, we provide a custom proposal outlining the investment, timelines, and deliverables. We believe in transparency, quality, and honoring the value of our vision.
illi Entertainment accepts a variety of formats for ingestion--1. Digital masters using the DDP format should be ISRC encoded. The start pause before the first track should be 2 seconds. Valid DDPs cannot have a sub-index at the same time as a start index. illi Entertainment accepts DDPs both with and without native text (please note–regardless of whether or not a DDP has native text, DDPs can still be exported to plants/partners with GRAS-generated text if preferred). - For physical pressing, the DDP should not exceed 78 minutes due to pressing plant standards. A DDP may not exceed 99 minutes, 59 seconds, 74 frames even for digital release due to format limitations. - It is helpful to include a JPG or Text document of the track sheet and/or PQ log with the DDP as well. The DDP component files should be delivered in a folder with the following naming convention: Artist_ProductName_ProductNumber + The provided track sheet should include the following: +Artist Name +Product Title +Product/Selection Number +Track & Total Program timings If available, a PQ log containing all index/subindex timings and ISRC information is also helpful. 2. Individual Audio File Formats (WAV, ADM (formerly MFiT), HiRes/HD): WAV File Specifications All individual files sent to Sony Music for assembly should be created with the following specifications: 44.1kHz / 16 bit WAV files (WAVs are preferred) 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176kHz, 192kHz / 24 bit WAV Files should be delivered as discrete audio tracks Files should contain fully mastered audio Files must be either stereo or dual-channel Mono MP3 files or other ‘lossy’ compression audio formats should never be delivered as these formats are severely compressed and lose sonic integrity. They will be rejected. Files delivered should maintain the following naming convention: TrkNumber_ArtistName_TrkTitle_ISRC.wav To avoid confusion, all files should be placed into a parent folder using the naming convention listed under section 1.1. Different versions of like tracks (i.e “Radio Edit”, “Album Version”, “Clean”, “Explicit”) should be clearly labeled and numbered in their intended sequence. 2.2 ADM (formerly MFiT) File Specifications All individual files sent to Sony Music intended for Apple’s ADM badging system should be created with the following specifications: 24Bit WAV (with active bits) Mastered at/provided by an ADM-certified engineer/facility ADM certification email address for mastering house or engineer must be provided - Files should be delivered as discrete audio tracks - Files must be either stereo or dual-channel Mono - Masters should be created at highest available native sample rate. - Global Media Production is able to test/certify files as ADM if preferred. 2.3 High Resolution/HD Audio File Specifications All individual files sent to illi Entertainment intended for a Hi-Res/HD partner should be created with the following specifications: 24Bit WAV (with active bits) Sample rate at or above 44.1kHz (no upsampling) - Files should be delivered as discrete audio tracks - Files must be either stereo or dual-channel Mono 32Bit Float/Floating-Point Audio is not recommended for submissions – we don’t register/deliver 32Bit files and we’ll need to manually convert them to a deliverable bit depth (including a check for added distortions on conversion) in order to proceed with them (will incur additional billing). 2.4 RF64/Large Wav Handling - Standard wav files have a limit of 4GB. For stereo wav files that will exceed the 4GB limit, an RF64 wav file should be provided. To note, any file below 4GB should be provided as a standard PCM wav without the RF64 format profile.
Ana Catali, also known online as iamcatali, is a digital creator, recording artist, and businesswoman from Atlanta, GA. She is recognized for her social media presence, her music (including the single "Young and Restless"), and a cosmetics brand trademarked under her name. 1. Digital Creator: Known as "iamcatali," she has a significant following on platforms like Instagram. She also creates GIFs on popular platforms like GIPHY and Tenor. 2. Musician: She is a recording artist signed to illi Entertainment which has significant ties to Sony Music Entertainment, Atlantic Records and Culture Jam, a record label owned by an American music executive who has been Senior Vice President of A&R at Warner Bros since 2016. Whom prior to, had Epic Records and Capitol Records, a division of Universal Music Group. Her musical work includes being ghost writer, a lead vocalist and composer for songs like "MORE (PSB MIX)" and the single "Young and Restless," where she is credited as Catali® 3. Businesswoman: She is the owner of the trademarked brand "CATALI COSMETICS," which covers products like makeup and cosmetic brushes. 4. Location: She is bi-coastal, based in Atlanta, GA and Los Angeles, CA, United States. What types of projects do we specialize in? Our collaboration sector specializes in allowing Catali to participate in cinematic storytelling across brand films, commercials, documentaries, weddings, fashion editorials, and fine art projects. Every visual performance is crafted with a focus on emotional depth, visual beauty, and intentionality.
We are based in Atlanta, Georgia, and proudly work with collaborators worldwide. Depending on your budget, we are available for destination projects both near and far.
Start by reaching out through our Contact Page or email us directly. We’ll schedule a consultation to understand your vision, discuss your project’s needs, and explore how we can best bring your story to life.
Turnaround times vary depending on the project’s scope and complexity. On average, you can expect delivery within 3 days to 2 weeks depending on the amount of songs. We will always provide a clear timeline at the beginning of our collab.
Yes. We often bounce around ideas from the very beginning, to ensure the final song feels cohesive and true to everyones vision.
Absolutely. We love tailoring each project’s look and feel to reflect our unique story. Together, we'll craft a mood and tone that feels authentic.
Our projects are quoted based on the scope, creative needs, and production requirements. We work with major and independent artists alike. After an initial consultation, we provide a custom proposal outlining the investment, timelines, and deliverables. We believe in transparency, quality, and honoring the value of our vision.
illi Entertainment accepts a variety of formats for ingestion--1. Digital masters using the DDP format should be ISRC encoded. The start pause before the first track should be 2 seconds. Valid DDPs cannot have a sub-index at the same time as a start index. illi Entertainment accepts DDPs both with and without native text (please note–regardless of whether or not a DDP has native text, DDPs can still be exported to plants/partners with GRAS-generated text if preferred). - For physical pressing, the DDP should not exceed 78 minutes due to pressing plant standards. A DDP may not exceed 99 minutes, 59 seconds, 74 frames even for digital release due to format limitations. - It is helpful to include a JPG or Text document of the track sheet and/or PQ log with the DDP as well. The DDP component files should be delivered in a folder with the following naming convention: Artist_ProductName_ProductNumber + The provided track sheet should include the following: +Artist Name +Product Title +Product/Selection Number +Track & Total Program timings If available, a PQ log containing all index/subindex timings and ISRC information is also helpful. 2. Individual Audio File Formats (WAV, ADM (formerly MFiT), HiRes/HD): WAV File Specifications All individual files sent to Sony Music for assembly should be created with the following specifications: 44.1kHz / 16 bit WAV files (WAVs are preferred) 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176kHz, 192kHz / 24 bit WAV Files should be delivered as discrete audio tracks Files should contain fully mastered audio Files must be either stereo or dual-channel Mono MP3 files or other ‘lossy’ compression audio formats should never be delivered as these formats are severely compressed and lose sonic integrity. They will be rejected. Files delivered should maintain the following naming convention: TrkNumber_ArtistName_TrkTitle_ISRC.wav To avoid confusion, all files should be placed into a parent folder using the naming convention listed under section 1.1. Different versions of like tracks (i.e “Radio Edit”, “Album Version”, “Clean”, “Explicit”) should be clearly labeled and numbered in their intended sequence. 2.2 ADM (formerly MFiT) File Specifications All individual files sent to Sony Music intended for Apple’s ADM badging system should be created with the following specifications: 24Bit WAV (with active bits) Mastered at/provided by an ADM-certified engineer/facility ADM certification email address for mastering house or engineer must be provided - Files should be delivered as discrete audio tracks - Files must be either stereo or dual-channel Mono - Masters should be created at highest available native sample rate. - Global Media Production is able to test/certify files as ADM if preferred. 2.3 High Resolution/HD Audio File Specifications All individual files sent to illi Entertainment intended for a Hi-Res/HD partner should be created with the following specifications: 24Bit WAV (with active bits) Sample rate at or above 44.1kHz (no upsampling) - Files should be delivered as discrete audio tracks - Files must be either stereo or dual-channel Mono 32Bit Float/Floating-Point Audio is not recommended for submissions – we don’t register/deliver 32Bit files and we’ll need to manually convert them to a deliverable bit depth (including a check for added distortions on conversion) in order to proceed with them (will incur additional billing). 2.4 RF64/Large Wav Handling - Standard wav files have a limit of 4GB. For stereo wav files that will exceed the 4GB limit, an RF64 wav file should be provided. To note, any file below 4GB should be provided as a standard PCM wav without the RF64 format profile.